Fleur Mellor trained as a professional dancer at the London Studio Centre and with over 20 years in the industry, has been producing and choreographing for commercial theatre with an emphasis on live work with a strong dance/theatre element. She is passionate about movement in all aspects of creative performance as a choreographer and movement director. She also works as a freelance producer and for Peter Corry Productions.

Theatre choreography credits: Thank You For The Musicals (NI tours); The Showman Is Coming (Netherlands & NI tours); Celtic Rhythms (Netherlands tour); Annie Get Your Gun (Theatre At The Mill); Throughly Modern Millie (Adelphi Theatre); The Music Box (Folk & Transport Museum Cultra, Theatre At The Mill, Belfast Waterfront); The Boyfriend (Her Majesty’s Theatre), Irish Wings (Netherlands tour); The Tenderland (Arcola Theatre); Crazy For You  (London Palladium).

Movement Direction: Green Space, Dark Skies (Unboxed festival);The Gap Year (The Lyric Theatre, Belfast); Stones In His Pockets (The Lyric Theatre, Belfast & The Barn, Cirencester); Archy In Manhattan (GOH, Belfast). Fleur has recently finished working as Movement Director on A Midsummer Night’s Dream in the first ever amphitheatre in Belfast, created for The Lyric’s summer season.

As a board member of both Thrive Audience Development & Theatre And Dance NI, Fleur is a fierce advocate for dance and a champion for the arts.

Born in Paris and raised in Cirencester, Benjamin studied Media Technology at the University of South Wales.

Ben began his creative journey writing comic strips for his school newsletter. Coming from a mixed background of technology research and the arts, he created most of the Theatre’s content on-stage and on social media before 2020, supporting Iwan Lewis with content creation since 2015, during the construction of the Theatre.

As part of the Barn’s digital transformation, Benjamin worked to spearhead early platform adoption including Unreal Engine, DaVinci Resolve, Cloud workflows, and the Blackmagic hardware ecosystem.

Stones In His Pockets emerging on the Barn Stage in 2021 was a culmination of this process, the beginning of many shared credits between Benjamin and frequent collaborator Alex Tabrizi.

Notable credits include Henry V (2019),  Bard From The Barn (2020), Dorian Grey (2021), Now Or Never (2021), The Passerby (2024).

Harry is a Composer and Sound Designer for theatre, film and TV. He worked as Resident Composer & Sound Designer at the Barn Theatre between 2018 and 2022. Highlights include Henry V, Private Peaceful and Stones in His Pockets. Since leaving the Barn he has been writing and producing music for an award-winning studio in London, working on campaigns for clients including Microsoft, Nike and Aston Martin.

Barn theatre credits include: The True Adventures of Marian and Robin Hood, The Girl on The Train, Driving Miss Daisy, The Brothers Grimm Present: Cinderella, David Copperfield, Jeeves and Wooster, Stones in His Pockets (Barn Theatre, Cirencester and Lyric Theatre, Belfast), A Russian Doll, The Picture of Dorian Gray, Peter Pan, Now or Never, What a Carve Up, Private Peaceful, Marry Me a Little, Ben Hur, Jeeves & Wooster, The Importance of Being Earnest, A Christmas Carol, The 39 Steps, Henry V andOne Minute.

Alex designs lighting for theatre and opera across the UK and Internationally. Notably Home at
Chichester Festival Theatre and The White Factory at Marylebone Theatre, London. Alex has been nominated for two Off West End Awards for Best Lighting Design for The White Factory at the Marylebone Theatre and You are Here at the Southwark Playhouse. Alex was
also the 2019 Association of Lighting Production and Design Lumière 2019.
Recent design work includes: Home (Chichester Festival Theatre), Sherlock and the Whitechopel Fiend (Barn Theatre, Cirencester), It’s a Motherf**king Pleasure (New York), Treasure Island (Barn Theatre, Cirencester), Kin – The Musical (Teatro Technis, London), The White Foctory (Marylebone Theatre, London), It’s a Motherf**king Pleasure (Oslo) Dance Nation, Serious Money and The Grain Store (Mountview), King Charles Ill and Let The Right One In (ArtsED), Private Lives (The Barn Theatre, Cirencester), It’s a Motherf**king Pleasure (Soho Theatre, London), The Clockmaker’s Daughter (New Theatre Royal Portsmouth), Chitty Chitty Bang Bang (Kings Theatre, Portsmouth), The Cunning little Vixen (Royal Birmingham Conservatoire), Urinetown (Portsmouth New Theatre Royal), Cinderella (Kings Theatre, Portsmouth), Rapunzel (The Watermill Theatre), The Sleeping Sword (The Watermill Theatre), Tales of Acom Wood (National Tour). The Chronicles of Atom and Luna (National Tour). Anyone Con Whistle: You Are Here and Romeo and Juliet (Southwark
Playhouse). Future work Forsyte Saga Part I & 2 (Park Theatre) & A Christmas Carol – Hope Mill (The
Lowry).
https://wwwalex-musgrave.com/designs

Alex is of Iranian and Scottish heritage and studied fine art photography at university, as well as the acting techniques of Stanford Meisner & Lee Strasburg and Clowning & Lecoq Physical Theatre. He started his career as an artist, then worked as a 360° product photographer for Selfridges & others before producing a feature film starring Jason Flemyng and Lindsey Colson. After several years working as a freelance videographer and documentary maker, he joined The Barn’s marketing team in 2021, responsible for visual content creation. Notable Barn credits include Stones in His Pockets (CGI content, 2021) and A Portrait of Dorian Gray (Gaffer, 2021).

Ben is thrilled to be a part of the remounting of Stones In His Pockets, having worked on the original production at The Barn Theatre 3 years ago.

Ben’s other work incudes: Murder For Two [Sound Designer, Barn Theatre, Cirencester], Nutcracker, Choir Boy & Arabian Nights [Head of Sound, Bristol Old Vic], Child of Science [Head of Sound & Video, Bristol Old Vic], Kathy & Stella Solve A Murder, Starter For Ten [Production Sound Engineer, Bristol Old Vic]